Tredegar’s series of contemporary repertoire performances at the RNCM Festival in the last few years have made a significant musical impact.

Once again they delivered demanding compositions with remarkable understanding under Ian Porthouse - made all the more impressive as they were still coming to terms with the tragic death just 48 hours earlier of BBb tuba player, Gwyndreath Press. 

Professionalism

The professionalism of the players and their MD, (with former Cory player, Fraser Bish, immediately offering his services as a mark of respect to his friend) was immense; each work earmarked with the band’s trademark vibrancy of tonal colour and timbre.

Wilfred Heaton's quirky march, 'The Full Salvation', expertly realised by Paul Hindmarsh from fragmentary manuscript excerpts was full of clean edged accuracy and waspish wit to open, before Tredegar paid their birthday respects to Elgar Howarth.

Acerbic musicality

'The Bandsman's Tale' is also a quirky, individual pastiche on accepted norms - this time through his Stravinsky inspired treatment of the 'Founder's Hymn'.

However, on this occasion, the ‘soldier’ in question finds his way back to ‘Boundless Salvation’ after a seedy detour from the regimented ‘Army’ track. The non-conformist Welsh revelled in its acerbic musicality.

Neatly realised

Kenneth Hesketh's 'Danceries' (Set II) was also neatly realised in a bold interpretation of character and stylistic nuance, with the ensemble drawing out a terrific palette of colour in keeping the listener engaged.

Artistic core

The artistic core was Gavin Higgins’ ‘Dark Arteries', commissioned by the Rambert Ballet, which will be premiered at Sadler’s Wells with the band in May.

Higgins' sound world is complex, fascinating and challenging; on this occasion inspired by the fate of the coal mining industry following the historic Miners Strike of 1984. 

At almost 26 minutes in duration, the suite is also a huge test of stamina, with imposing contributions required from soloists: It was a remarkable performance - one that will surely be enhanced further in partnership with Rambert’s electrifying dancers.

Emotion

Not surprisingly, emotions ran high after Simone Rebello announced that the band would dedicate ‘Ballet for Band’ to their lost friend and colleague.  

Many of the Tredegar players were in tears during the performance, which was given heartfelt appreciation by the audience.

It brought to an end another major contribution to the RNCM Festival by the Welsh band - one that on this occasion meant far, far more, than the sum of its engrossing parts.

Malcolm Wood