Using the Corps Hall rather than a larger venue meant that the ISB had to squeeze neatly onto the platform at Bromley leaving very little space to spare, particularly when they took to their big-band formation. 

The acoustic was also robust, although Dr Cobb did prescribe a marked reduction in volume.

Skill

There was no doubting the skill and expertise on show as they opened with Kevin Norbury's vigorous march 'The Proclaimers', featuring Meredith Willson's 'Banners and Bonnets'.

Richard Woodrow's mellow flugel was heard to good effect in 'The Seal Lullaby' before Steven Ponsford's 'Let There be Light' was played with tasteful aplomb.

Carl Nielsen’s fine account of 'Compelled', was followed by Jonathan Evans' debut appearance as solo euphonium; his rendition of 'Euphony' a fine display of dexterity and tonality.

John Larsson's 'Spirit Breeze' acted as a calm interlude before three works by Wilfred Heaton; the quirky 'Victory for Me', followed by 'My Master's Will' and an accomplished reading of 'Celestial Prospect'.

Carl Nielsen’s fine account of 'Compelled', was followed by Jonathan Evans' debut appearance as solo euphonium; his rendition of 'Euphony' a fine display of dexterity and tonality.

Big band

The second half saw the ISB in big-band formation with the drum kit centre stage. Reuben Schmidt's lively 'Wake Up' preceded Steven Ponsford's 'All Creatures Praise', underpinned by African rhythms.

Kevin Larsson's treatment of 'The Fruit of the Spirit' was followed by '007 Light', before closing with Barrie Gott's 'Shine' - a welcome if somewhat belated follow up to his popular 'Lightwalk'.

There was humour as a male voice octet sang 'God's Still the One', accompanied by Gavin Lamplough on keyboards. With the renowned Staff Songster Leader Dorothy Nancekievill in the audience there was speculation that some of the singers were auditioning for the brigade!

Andrew Blyth's 'Introit - O Love' preceded the scripture message presented by Major Noel Wright, before the programme ended with Peter Graham's vibrant 'To Boldly Go'.

A measured account of 'Praise' drew a fine evening's music-making to a close.

Peter Bale