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2011 British Open Championships — Red Priest confessions

From Nero to Busby Berkeley — Philip Wilby's 'Red Priest' had it all...

Philip Wilbty
The composer makes a few points...
More Ian Clowes images at: www.pbase.com/troonly/110903_british_open

Philip Wilby’s ‘Red Priest’ proved to be an excellent test piece at the British Open.

Rare gift

The Professor has the rare gift of being able to write accessible works that engage not just the performer but the listener too – and as the hall showed throughout the day, that meant that the bands played to more bums on seats than has been the case for a few years at least.

And despite the early reservations about its association with Black Dyke, it soon became apparent that the majority of competitors found it a work they both enjoyed and felt confident of playing well too.

As always with Wilby, he was very clear about his inspiration and what he felt should be both seen and heard.

Wilby and Atkinson
Tucked under the arm. Derek Atkinson, Philip Wilby and the Red Priest...

Exotic variety

The extensive use of mutes saw bands empty their coffers to purchase an exotic variety of coloured cups, harmons, plungers and straights – in all shapes and sizes, from wood and plastic to metal and cardboard - and that was just the percussionists....

Meanwhile, the tricky question of where to stand was sensibly left up to the bands by the contest organisers.

Fodens
Colour co-ordinated mutes for Foden's

Nero

And as expected, the MDs fiddled with things like Nero at a Rome fire damage sale.

There was more choreography going on at times than a Busy Berkeley show.

To be honest it didn’t make that much overall difference to the aural experience, but in a number of cases the balance between solo lines seemed lopsided.

Sticks
Pick a stick...

Impression

With the majority of bands more than capable of meeting the tricky technical demands of the score (although a number of trombone players found some of the semi quaver work at the edge of their limitations), it was left to the MDs to try and make an extra impression in the box with their musicality.

Some tried from the start with their approaches to the aeroplane ‘take off’ of semi quaver sixes, which although marked at crotchet = 100, saw crafty conductors take more than a few miles off the runway speed.

Cory and Black Dyke in particular rumbled down the tarmac like a 747 rather than a typhoon fighter jet.  

Leyland
Stand and deliver for Leyland

Homework

Those who certainly did their homework found reward – notably the likes of Phillip McCann, who revealed that he had given his players recorded extracts from some of the works Wilby so cleverly quoted from in the test piece.

Those who opted for sheer brute force and will power came a cropper, many missing out on the dry wit that permeated much of the ‘Winter Wonderland’ scenes as adjudicator Michael Ball called them.

Chinese four seasons


There were some odd moments, some nerve shredding ones and some inspired ones too – with David King’s use of what appeared to by some sort of Chinese cymbals in the ‘Four Seasons’ the most inventive by far.

Tredegar
All directions for Tredegar...

Camouflage

The usual camouflage work was of a pretty high order, with a number of sop players lending their principal cornets a helping, although some of the percussion sections and timp players in particular let the adrenaline get the better of them

As for the big ending?

Wilby writes corkers, but many on the day were so elongated that they lost any sense of momentum – some bands almost added an extra bar of tam-tam and side drum crescendo before the very last note.

It was almost, but not quite as self indulgent as some of the ‘milking’ of applause at its conclusion.

It won’t be long before the bandroom tea lady is wheeled on with her urn to accept the plaudits at this rate.

Professor Wilby certainly didn’t choreograph that into his score – not that it would stop some MDs you suspect….

Iwan Fox



Black Dyke Band - Sheffield Citadel Salavation Army

Thursday 21 November • 12 Psalter Lane, Sheffield S11 8YN


Regent Hall Concerts - Symphonic Brass Ensemble of the Band of the Royal

Friday 22 November • Regent Hall (The Salvation Army). 275 Oxford Street Opp. RESERVED. London . W1C 2DJ W1C 2DJ


Derwent Brass - Southwell Choral Society

Saturday 23 November • Southwell Minster, Church St, Southwell, Nottingham NG25 0HD


Woodfalls Band - Salisbury Chamber Chorus

Saturday 23 November • St Thomas Church St Thomas's Sq, SP1 1BA Salisbury, Wiltshire SP1 1BA


Kettering Citadel S A Band - International Staff Band of the Salvation Army

Saturday 23 November • The Salvation Army,. 66, Rockingham Road,. Kettering, Northamptonshire NN16 8JU


Chadderton Band

November 20 • Chadderton Band is a non-contesting band requiring players of all ages and abilities on all sections + percussion. Conductor and Euphs also needed. We are a friendly band and enjoy playing at various events throughout the year. Come along have a blow.


The Corsham Band

November 20 • The band are currently looking for cornet and trombone players. Positions negotiable. We rehearse on Wednesday evenings with easy access from Bath, Bristol, Swindon and the M4 corridor.


City of Hull Band

November 20 • City of Hull Band (North of England Champions) have an immediate vacancy for Solo Trombone. All expressions of interest in strictest confidence. Rehearsals Sun /Wed evenings in custom built bandroom by Humber Bridge.


Brett Baker

BSc (Hons), ARCM, PG Dip
Rath clinician, conductor, teacher, adjudicator, editor


               

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