CD review: Casta Diva

Operatic Arias transcribed for Trumpet
Matilda Lloyd
Britten Sinfonia
Conductor: Rumon Gamba
Chandos Recordings: CHSA 5321

The emergence of a ‘Bel Canto’ singing style in the 1830s brought a new multi-faceted versatility to the operatic stage that was to flourish through the compositional gifts of the likes of Bellini, Donizetti and Rossini.

However, its gestured phrasing and syllabic emphasis was later overtaken by the less embroidered dramatic heft of the arias of Verdi, Puccini and Wagner. By 1858, Rossini was to remark that it was already ‘lost’, whilst Franz Sieber later longed for its return from ‘the most offensive shrieking of dramatic singing’ that had replaced it.

Later, singers such as Alfredo Kraus, Franco Corelli, Maria Callas and Marilyn Horne revived its popularity with their astounding technique and personalities, although today it has become a more refined, less ornate display of theatrical artistry that remains central to any operatic star’s performance armoury.  

Elegance and refinement

On this outstanding release, Matilda Lloyd has certainly played her part in presenting five bel canto arias with a modern lyrical elegance and decorative refinement. Her starting point was Arban’s treatise on Bellini’s ‘Norma’  and the aria ‘Casta Diva’  that he so cleverly turned into a set of variations. 

The playful exposition of the ‘Cavatina’ from Bellini’s ‘Beatrice di Tenda’ contrasts the yearning sadness Lloyd evokes as Juliet yearns for her absent lover in ‘Oh! Quante volte’ from his ‘I Capulet e I Montecchi’.

Before that statement rendition though, we are treated to both intimate expression and characterful virtuosity - from the joyful baritone aria ‘Liete voci!’  and ‘Ah si, questo di mia vita’  from Mercadante’s ‘Zaira’,  to the tender soprano mercies of ‘Oh! Mie Fedeli…’ 

The playful exposition of the ‘Cavatina’  from Bellini’s ‘Beatrice di Tenda’  contrasts the yearning sadness Lloyd evokes as Juliet yearns for her absent lover in ‘Oh! Quante volte’  from his ‘I Capulet e I Montecchi’.

Delicate artistry

Ricci’s sparkling ‘tarantella’  has a zesty touch of comic cameo, whilst Rossini’s contralto aria, ‘Ah! Quell giorno ognor rammento’  from his final opera ‘Semiramide’  and his post-retirement ‘Prelude, theme et variations’  (original written for horn but performed by the soloist on flugel) are hallmark examples of a formula the composer rarely detoured from – both played with delicate artistry.

There is also a florid habanera sway to Viardot’s ‘Havanaise’ and tender sweetness to ‘Chanson de la pluie’ from ‘Le Dernier Sorcier’ - the droplets of light rain falling in the accompaniment to the liquid expression of the soloist. 

There is also a florid habanera sway to Viardot’s ‘Havanaise’  and tender sweetness to ‘Chanson de la pluie’  from ‘Le Dernier Sorcier’  - the droplets of light rain falling in the accompaniment to the liquid expression of the soloist. 


The familiar tenor strains of Donizetti’s ‘Una furtiva lagrima’  from ‘L’elisir d’amore’  perhaps loses some of its red wine depth played on the Eb trumpet, but there is a mournful nobility (played on Bb trumpet) in the short ‘Prelude to Act II’  from ‘Don Pasquale’,  followed by the charm and soprano capriciousness of ‘Quel guardo il cavaliere’  (Eb trumpet).

It brings to a close an intelligently considered release (especially the use of different instruments to maintain the connection to the original vocal timbre) aided greatly by the lithe, understated playing of the Britten Sinfonia under Rumon Gamba’s sympathetic lead and high class production values led by William Foster’s cultured arrangements.

Iwan Fox

To purchase: https://www.matildalloyd.com/casta-diva

Play list:

1. Liete voci! from 'Zaira' (Saverio Mercadante -1831)
2. Ah sì, questo di mia vita from 'Zaira' (Saverio Mercadante -1831)

3. Oh! mie Fedeli… Ma la sola, ohimè son io from ‘Beatrice di Tenda’ (Vincenzo Bellini -1833)

4. Variations on a Cavatina from Bellini's 'Beatrice di Tenda' (Jaen Baptiste Arban c.1864)

5. Oh! quante volte from ‘I Capuleti e I Montecchi’ (Vincenzo Bellini - 1830)

6. Variations on Bellini’s ‘Norma’ (Casta Diva) (Jean Baptiste c.1864)

7. Tarantella Napoletana from ‘La festa di Piedigrotta’ (Luigi Ricci - 1852)

8. Ah! quel giorno ognor rammento from ‘Semiramide’ (Gioachino Rossini - 1823)

9. Havanaise, VWV 1019 (Pauline Viardot c. 1880)
10. Chanson de la pluie from ‘Le Dernier Sorcier’ (Pauline Viardot - 1867)

11. Prélude, thème et variations (Gioachino Rossini - 1857)

12. Una furtiva lagrima from 'L'elisir d’amoure’ (Gaetano Donizetti - 1832)
13. Prelude to Act II from ‘Don Pasquale’ (Gaetano Donizetti - 1843)
14. Quel guardo il cavaliere from ‘'Don Pasquale’ (Gaetano Donizetti - 1843)

Support us for less than a cup of coffee...

4BR wants to ensure that the brass band movement remains vibrant and relevant. We also want to be able to question, challenge and critically examine those who run and play in it, producing high quality journalism that informs as well as entertains our readers.

So if like us you value a strong, independent perspective on the brass band world - then why not consider becoming a supporter and help make our future and that of a burgeoning brass band movement more secure.

So one less cappuccino then?

Support us    

Luton Brass Band - Masterclass with David Daws

Wednesday 27 September • St Augustine's Church, Luton LU3 2JR

South Yorkshire Police -

Saturday 30 September • Sheffield Catherdral. Church Street. Sheffield. S1 1HA

Epping Forest Band - Thundersley Brass Band

Saturday 30 September • Salvation Army Hall, Hadleigh, Essex SS7 20F

Friary Brass Band - guest soloist Tom Smith

Saturday 30 September • Trinity Methodist Church. Brewery Road. Woking GU21 4LH

Contest: Bolsover Festival of Brass

Saturday 30 September • Shirebrook Academy, Common Lane, Shirebrook. Derbyshire NG20 8QF

Harlow Brass Band

September 29 • Seeking a MUSICAL DIRECTOR - We are a friendly, non-contesting band who play to a good standard. We hold our own Spring and Christmas concerts and provide entertainment at various local events throughout the year.

East of England Co-op Band

September 27 • We are looking for an Eb or Bb bass player to fill a vacancy due to a player's relocation. We are a friendly and ambitious Championship section band who rehearse in Ipswich, Suffolk on a Monday evening. We have a healthy concert and contest diary.

Uppermill Band

September 27 • EXCITING TIMES AHEAD AS WE START A NEW CHAPTER. Following a period of rebuilding and the appointment of our new MD JAMES GARLICK, we require a PERCUSSIONIST to complete our team. We are a hardworking and committed team.

Jenny Gartside

Bsc Hons
Jeweller, brass band themed jewellery and pin badges


 © 2023 4barsrest.com Ltd