Two years since Dr Robert Childs first conducted Grimethorpe Colliery at this eve of National concert, a great deal has changed.

A musical relationship that many felt may not have worked, has flourished. Under the Welshman’s grip, Grimethorpe has once again become a major contest winner; the gleaming British Open Shield nonchalantly perched by the side of the band emphasising the point.

High expectations

With the Yorkshire outfit showcased on the BBC airwaves during the day, expectations were high as they took to the stage to deliver a concert of impeccable standards.

The repertoire was an eclectic mix; nothing too challenging, but with more than enough about it to satisfy both fans and the critics alike. 

Artistic delicacy

'Death or Glory' and a controlled 'Ruslan and Ludmila' paved the way for a no nonsense 'Carnival of Venice' from Roger Webster - played with an artistic delicacy few can match let alone better. 

Although banding remains as competitive as ever, respect for peers within the movement stretches far and wide. Ben Hollings' reflective 'The Spirit Within' was dedicated in memory of Charlie Taylor and to the whole family (many still associated with the Tyldesley and Fairey Bands). It was a heartfelt tribute.

High class

With music from 'James Bond' whetting the appetite for the forthcoming film release closely followed by a high class rendition of 'Concerto de Aranjeuz' from Laura Hirst, Grimethorpe finally tested the foundations with a rousing ‘March’ from the 'Pines of Rome' to close the first half. It was as if Caesar’s legions were coming down Oxford Street.

Quality

The second half was packed with quality - a super rendition of 'Praise' and the euphonium duet of Michael Dodd and Philippe Schwartz on 'Brilliante' played with rare panache. 

John Ireland's 'Elegy' from 'A Downland Suite' was touchingly phrased, as was Percy Grainger's 'Shepherds Hey', before the Open champion concluded by acknowledging the 70th anniversary of the end of the Second World War

Sir Karl Jenkins' 'For the Fallen' with dignified narration by Craig Roberts led into a bit of Glen Miller and Dan Price's effective 'Peacemakers'.

The appreciative audience wasn't going anywhere until they'd heard at least one more piece - with 'Abide with Me', rounding off a concert that marked Grimethorpe’s progress to a tee. 

Malcolm Wood