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Nightclub vibes claims Derwent Composition Prize

A new work by Aaron Breeze inspired by the music heard at the iconic Hacienda nightclub in Manchester wins the Derwent Brass Composition Competition.

Derwent Brass
  The winning work is inspired by the famous Manchester nightclub of the 1980s and 1990s

A new work for the brass band medium inspired by the iconic 1980s Manchester nightclub 'The Hacienda', has won the inaugural Derwent Brass Composition Competition and £1,000 first prize.

Written by Aaron Breeze who studied composition at the RNCM in Manchester, it blends elements of euphoric dance music with influences taken from his recent brass work and other productions.

New Order

The Salford based rock group New Order opened the club in collaboration with the emerging record label Factory Records, playing a central role in the city's cultural scene during the 1980s and 1990s.

Aaron's work represents a fusion of the diverse worlds; capturing the energy, passion and community of the nightclub's heyday reimagined through a contemporary lens.

The composer has collaborated with New Order and worked extensively with the Manchester Video Game Orchestra. Recently, he served as ballet repetiteur at Landestheater Linz and is currently the Musical Director of Denton Brass Band.

Thrilled

He told 4BR: "I'm absolutely thrilled to have won. It's an incredible honour to have my work recognised in this way, especially alongside such talented composers. Since conducting Denton in 2022, I've been writing for brass which has been a rewarding challenge.

I was particularly impressed by how the band captured the atmosphere I envisioned, especially with those fat bass tones! It's been an exciting journey, and I'm proud to have been part of such an innovative project."

Worldwide entries

The competition attracted over 30 global entries. Following a longlist process review the shortlisted finalists were Aaron's work alongside 'Capriccio Mancunio' (Tim Jackson) and 'New Beginnings' (Becky Lund).

The three were recorded by Derwent and judged by the band's MD, Jack Capstaff, Paul Hindmarsh, Paul McGhee and Matthew Eden and Jack Capstaff.

Inventive and vibrant

In adding his congratulations Jack said: "The judges were in agreement that its creative approach is both assured and compelling. The rhythmic energy really draws you in, and the scoring is effective in maintaining that momentum.

The work has that Acid Brass vibe mixed with various intricacies making it engaging, inventive and vibrant.

Our thanks to everyone who has supported the process, the entrants, fellow judges, Keith Johnson from KMJ recordings, Lindsey James, and once again congratulations to our finalists — Tim, Becky and Aaron."

The work has that Acid Brass vibe mixed with various intricacies making it engaging, inventive and vibrantJudge, Jack Capstaff.

Finalists

The work of the finalists also drew rich praise, with Tim Jackson's 'Capriccio Mancunio' reflecting the vibrant soundscape of Manchester whilst 'New Beginnings' by Becky Lund narrated through a soprano vocalist, spoke of humanity's relocation to a new planet from the perspective of survivors.

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