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National Finals 2002:
Championship Section

The adjudicators...

Two very familiar faces and one who is new to the box at the Royal Albert Hall this year. David Read and William Relton are well known to players, conductors and audiences alike, whilst Malcolm Brownbill makes a welcome first appearance after serving a long apprenticeship through the sections.

Read and Relton are together for the 9th time this year (a bit like the brass band version of the “Two Ronnies”) so bands should know what they like, especially if they have kept their old adjudications. Malcolm Brownbill has also adjudicated at the top level around the country, so he knows the ropes. Three safe pair of hands then.

David ReadDavid Read:
David Read made his debut as adjudicator at the National Finals way back in 1985 when he shared the adjudication on “Cloudcatcher Fells” with Bram Gay and Sir David Willcocks. Since then he has been the most regular of judges at the Finals in addition to adjudicating at the British Open (debut 1982), the Masters, the European and many other major brass band contest all over the world.

2002 sees his 13th appearance as adjudicator and his 8th in a row in the box at the Royal Albert Hall.

He is a most highly respected judge, who’s written comments are constructive and detailed and who has an acute ear for musical shape as well as technical clarity. More importantly he is seen as a “safe” adjudicator in the eyes of the bandsmen themselves, in that he invariably gets the vast majority of decisions concerning the prizewinners correct. This has been further emphasised by the bands themselves voting him as their first choice to judge them at the All England Masters for the past few years.

David Read was born in Wales and did his Military service with the Regimental Band of the Welsh Guards. His playing career came to fruition with the Askern Colliery Band, followed by a spell with Carlton Main Frickley Colliery. He later joined the Munn and Feltons Band (later named GUS) later becoming Principal Cornet. During his time with the band, GUS became National Champions on four occasions and World Champions once.

He was also assistant principal cornet for the Virtuosi Band of Great Britain and Kings of Brass and was three times Champion Cornet Player of Great Britain and once outright Solo Champion. He was also a member of the famous GUS quartet that with John Berryman, John Cobley and Trevor Groom who on a number of occasions were British Quartet Champions.

He has been an educationalist as Senior Instrumental Teacher for Cambridge Area Education Authority, and in 1983 was honoured by the Worshipful Company of Musicians and in 1996 by receiving the English Masters Dedicated Service Award.

National Championships Adjudicating Record:
13 appearances:
1985, 1986, 1987, 1990, 1992, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002


William ReltonWilliam Relton:
William Relton is a member of the Council of the Royal Albert Hall and is included on the Panel of Assessors for the Arts Council of England “Arts for Everyone” Lottery Fund.

His lifetime involvement in music started at the age of fourteen when he joined the Brighouse and Rastrick band, being appointed solo cornet at the age of seventeen. After National Service, he took up the post of Sub Principal Trumpet and Principal Cornet of the Birmingham Symphony Orchestra and left the CBSO after three years to take up one of the first £1,000 bursaries at the Royal College of Music.

During his studies at the college, William Relton played with all the major London orchestras and for one season was at the Royal Opera House, Covent Garden. He joined the Orchestra of Sadlers Wells Opera (now ENO) where he was Principal Trumpet.

In 1957 he joined the BBC, first as a player in the BBC Concert Orchestra, being later appointed music producer. In 1970 he became Orchestra Manager of the BBC Symphony Orchestra and was promoted to General Manager in 1975. He has worked with all the great conductors of our day, from Ashkenazy, Bernstein and Boulex to Zender and Zinman, and was successful in appointing both Gennadi Rozhdesvensky and Sir John Pritchard to the post of Chief Conductor of the BBC Symphony Orchestra. He was responsible for all the Orchestra’s activities including tours of Australia, China, Jpan and most European countries.

He left the BBC to take up the post of General Manager of the Eastern Orchestral Board, where he was responsible for the financing of some 250 concerts per year given by professional symphony and chamber orchestras.

Recently he has devoted more time to conducting and adjudication, and is on the Management Committee of the Donatella Flick Conductors Competition.

William Relton has been a familiar face in the “box” at the since he made his “debut” in 1977 with Havelock Nelson and Buxton Orr. Since then he has appeared on another 15 occasions, including 9 years in a row from 1986 – 1994 and a further four consecutive years from 1997 – 2000. He has also adjudicated at the Open, Masters and European Championships as well as contests at all levels throughout Europe and the World.

National Championships Adjudicating Record:
17 appearances:
1977, 1981, 1984, 1986, 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1994, 1997, 1998, 1999, 2000, 2002


Malcolm BrownbillMalcolm Brownbill:
Malcolm Brownbill has more than 40 years involvement as player, teacher, conductor and adjudicator within the band movement. His wide musical experience has involved brass and military bands plus orchestral and choral work.

Originally staring to play the cornet in the Salvation Army, he became solo cornetist with several bands, and has conducted brass bands with prolific success since 1974, winning many prizes at all levels.

He is a former Police Inspector and Musical Director of the Merseyside Police Band, completing over 20 years in a position that involved him organising and directing many highly prestigious engagements. At the same time Malcolm has been professional conductor of such bands as Wingates, Cory and Laporte Industries. He has also proved over the years to be a very successful instrumental teacher and many of the young people who benefited from his guidance are now playing with our finest bands.

His experience as an adjudicator is widely appreciated. Malcolm has officiated at numerous prestigious events throughout the UK, including Area contests and National Finals. A council member of the National Youth Brass Band of Great Britain and a member of the British Federation’s approved Adjudicators Panel, he holds the position of Public Relations Officer for the Association of Brass Band Adjudicators

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